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Log in Register. Search titles only. Search Advanced search…. New posts. Search forums. Log in. Change style. Contact us. Close Menu. Home Forums Instruments Guitars in General. JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding.

Les Paul into a Vox? Thread starter zeffbeff Start date May 10, Messages 2, I'm very familiar with the Les Paul into a Marshall sound. In fact, that's my primary overdriven tone. What about a Les Paul into a Vox? Would that sound more like an overdriven fender? Or a Marshall? Or its own thing entirely? Messages 3, Closer to a Marshall than a Fender but definitely more its own voice. Good lord it sounded fantastic. Also louder than all hell.

Last edited: May 10, DanielHillshafer Member. Messages I use AC30s as my main amps. I play mostly Gibsons. When you bridge the top boost and normal channels with a Gibson Les Paul the result is nothing short of marvelous.

I set mine to edge-of-breakup clean which results in throaty, complex dirt when I stomp on the Overdrive. It's a unique tone and distinguishable from Marshall and Fender although I agree that it is closer to Marshall. I've been relying on this combination for years. TaoInMotion Member. Messages 1, Definitely it's own thing Tom Petty and the Heartbreakers has tons of LP into Vox type tones all over their last 15 yrs of recordings. Carbohydrates Member. Utterly fantastic.

David Garner Platinum Supporting Member. Messages 6, The best bet is to try and find cheaper copies on Ebay. For early Beatles, you gotta go the Vox AC30 route, of course! The most-used amp on Beatles record, however, was the Fender Bassman. The Beatles were early adopters of fx-pedals, but their use was limited to a few songs, in the studio only.

The Way Huge Havalina fuzz is a well-priced modern option — a germanium fuzz that does the Tone Bender sound really well! More interestingly, you can also get a few FX pedals to achieve some sounds from the Fab Four psychedelic era — reproducing the sounds of other instruments and studio effects used by the Beatles in the studio:.

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Close Menu. Home Forums Instruments Guitars in General. JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding. Thread starter Winterwind Start date Apr 8, Winterwind Member. Messages I'm trying to decide on my next guitar and an Epiphone Casino is on my list. My Sheraton has humbuckers, the new Casinos, according to the Epiphone's site come with Dogear Ps. Will a Casino be that much different than my Sherry and worth getting?

Messages 3, Big difference. Hollow vs Semi, P90s vs Humbuckers. Treat yourself. Yeah, it's the way I'm leaning based on every review I've read and video I can find. And dammit Messages 1, The Casino has limited upper fret access due to where the neck joins the body.

Makes it much harder to solo up there. On a positive note, I've liked the neck on every Casino I've owned 5 over the years much better than the late 90s Sheraton I've owned. The Chinese one had the fattest neck out of any that I've played. I don't think they're redundant at all. NashSG Member.

You can get a sweet jazz tone out of the neck pickup on a Casino. Jayyj Silver Supporting Member. Messages 8, Lennon used an Epiphone Casino almost exclusively from until the group's break-up and is even seen with it during the sessions for his Imagine album. This model, with two pickups very close to the neck and almost touching each other, was replaced in by a newer model, whose pickups were spaced much farther apart, in a more conventional manner.

In October he switched to a Rickenbacker model S, during the recording of Rubber Soul as seen in pictures from those sessions , [6] but certainly by the recording of " Paperback Writer ". It would be his principal choice for the remainder of The Beatles' career. It can be seen in footage from Let It Be and in the " Revolution " promo video.

Although microphone usage varied somewhat according to the requirements of each song, the group's recordings at Abbey Road most often employed Neumann U47 or U67 microphones for electric guitars and one or more Neumann U47s unidirectional ; U48's "figure eight" bidirectional pickup pattern for vocals and most other instruments.

The AKG C was used as well, particularly on the bass speaker amplifier. Later, more microphones were used on the drums. Available studio documentation and interviews with their former recording engineers indicate that this microphone was not used for recording in the studio. With the group's encouragement, recording engineer Geoff Emerick experimented with microphone placement and equalization.

For example, he obtained the biting string sound that characterises " Eleanor Rigby " by miking the instruments extremely closely—Emerick has related that the string players would instinctively back away from the microphones at the start of each take, and he would go back into the studio and move the microphones closer again.

He also used a speaker as a microphone to increase the bass level whereas a microphone would overload from the air pressure. Ringo Starr bought a set of Premier drums in , but in June made the switch to a four-piece Ludwig set.

The American-made drums were newly available in England, but the clincher for Starr was the Black Oyster Pearl finish of the Ludwig kit. He used four similar kits altogether, including two that he kept at Abbey Road. The first two Ludwig kits were 20", 12", 14", plus 14" snare and the second two 22",13",16", 14" snare. Starr played a 20" kit on the Ed Sullivan Show debut in February He changed to the bigger 22" kit at the end of May Near the end of the sessions for the White Album , he obtained a natural-tone five-piece Ludwig Hollywood set and set it up alongside his existing Black Oyster Pearl bass drum, according to Mal Evans in the November edition of The Beatles' Monthly.

Starr experimented with various muffling techniques. He used Ludwig and Remo drumheads. He started his career playing Paiste cymbals, but switched to Zildjian. He has used Paiste occasionally, most likely due to their easier availability in Europe. George Harrison owned many Indian instruments, including tambouras, a swarmandel or Indian harp and at least three sitars. All the Beatles kept pianos, guitars and other instruments at their homes to work on songs and demos.

Most of these pieces never made their way into the studio with the well-known exception of Harrison's Moog synthesizer. Lennon's home Mellotron was never brought into the studio, though a Mellotron was rented for use during the Sgt. Both Harrison and Lennon were given Coral electric sitars. The "Beatle" style instruments have been used many times in pop culture. In Agent Cody Banks 2 during the fight scene, there is a display of the original instruments and Agent Banks uses Paul McCartney's violin bass to hit the villain.

The instruments have also been replicated into plastic game controllers for the game The Beatles Rock Band. From Wikipedia, the free encyclopedia. Lists about The Beatles. Awards and nominations Discography Sgt. John Lennon's Guitars. Retrieved Th ecanteen. Part 5". The Canteen. Part 6". Interview to Mark Arnquist, worker at Rickenbacker". Archived from the original on March 19, Archived from the original on Babiuk, Andy The Beatles.

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